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Label management

Your label,
on our system.

We run the releases, the promo to DJs, the distribution, the posting and the reporting on the platform we built for our own fourteen labels. You keep the A&R and the sound. For labels with a release schedule and no team, and for owners who would rather build the catalog than the spreadsheet.

Where you areYou are the label: A&R, artwork chasing, metadata, delivery, promo, statements, and the evenings that go with themReleases slip because one person had a weekStatements nobody can read, payouts nobody trustsA catalog that earns whatever it earns
Where you end upYou are the A&R. The rest runs on a system that already runs fourteen labels, and your evenings come backReleases go out on the date, with the promo, the posts and the visuals already doneEvery artist paid on time from a statement they can check, and a monthly report of what came in, what went out, what is leftA catalog worked like an asset: promo on the back catalog, publishing collected, the numbers visible
What you getRelease calendar and catalog numbersMaster check, artwork, metadata, deliveryDistribution inside our own agreementPromo to DJs and radio through PromoLinkRelease posts on the label's social accountsBranding: a visual identity for the label and its artists, built with FaceDropAds and clipping when the budget is thereRoyalty statements and payouts to your artistsA monthly report: what came in, what went out, what is left
You keepA&R: who you sign and what you releaseThe name, the sound and the final say on artworkYour contracts with your artistsOwnership of the label, alwaysThe right to walk with 90 days notice

Three ways in

A label manager for a share, not a salary
Keep the label, lose the adminRun it with us
  • The label stays yours, the operations become ours
  • Releases, promo, distribution, posting, statements and payouts
  • A monthly statement in plain numbers: what came in, what went out, what is left
  • 30% of what the label earns, or 300 EUR a month, whichever is higher
  • No setup fee, our software included, 90 days notice either way
Apply
More future than cashPartner
  • A sound and a roster, but no money to spend on running it
  • We run it for a share instead: our work is the investment
  • The share grows with each year we run the label
  • Share and pace in writing, from your own numbers, before anything is signed
Apply
Done running itSell
  • We buy a stake or the whole label
  • A range in a minute, an offer within fourteen days of seeing the numbers
  • Part at closing, part as the catalog keeps earning
  • The label moves onto our system without losing a month of income
What is your label worth?

A label manager on salary costs more a month than most independent labels earn. This is the same person and the same machine for a share, and the share only grows when the label does. We read every application ourselves and take a few labels at a time. Two things stop a deal before it starts: masters you do not own outright, and a label that cannot exist without you at the desk. Everything else is a conversation.

What it costs

Run it with us: 30% of what the label earns or 300 EUR a month, whichever is higher, counted on what the distributor pays the label before artist payouts. No setup fee, no minimum term beyond the 90 days notice. The label runs on PromoLink at the Agency tier and the owner gets an Artist tier on FaceDrop, both on us for as long as we work together, and a consulting session within 30 days is credited. Partner and Sell are priced from the label’s own numbers, in writing, before anything is signed.

Apply

Our CEO Vitalii Babii (Spartaque) reads every application. Expect an answer, not a form letter, and expect it to name which of the three doors fits.